I’ve been using the Tree Root Tripod for the past three months, and a few people at recent workshops have asked me about it. So, I decided to make this video to go over its design, main features, and how it’s performed for me during that time.

This isn’t a stress test or a technical review — just my honest thoughts on what I like about it, where I think it could be improved, and how it fits into my regular landscape photography setup.

If you’ve been curious about the Tree Root Tripod or are considering something a bit different from a standard tripod, this should help give you a clearer idea of what it offers.

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In this blog, I break down the process of capturing sharp, detailed images of fungi and mushrooms during autumn. Photographing fungi can be challenging — low light, small subjects, and shallow depth of field all make it difficult to get the entire subject sharp.

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For a long time, I thought the next step in improving my photography would come from new gear or travelling further afield. But over time, I learned that neither made the difference I was looking for. What truly changed my work was something much simpler — having a local place that I could visit regularly to practise.

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I’ve just released the 32 Counties, 32 Shots eBook — a complete record of my 32-day challenge across Ireland. Inside you’ll find one image from every county, the story behind each day, and GPS pins so you can stand where I did. The eBook is available with a €20 donation, with 100% going to Pieta House. The campaign closes October 14th — pick up your copy and support the cause today.

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We had just wrapped up another long day on the road with our workshop group. Alongside Bernard Geraghty and Chris Byrne, I was leading an 11–day photography tour around Ireland, with 11 participants joining us on the journey. Each day brought us to different corners of the country, but this particular evening in Donegal stood out.

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A challenging shoot, with heavy rain, thick cloud, and unpredictable breaks in the weather testing us the whole way through. Despite the conditions, the coastline delivered some incredible moments – dramatic light, powerful seas, and shots that were well worth the effort.

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Understanding the histogram is key to mastering exposure in landscape photography. It provides a visual breakdown of an image's tonal range, helping you make precise adjustments both in-camera and during post-processing. While many photographers glance at the histogram without fully utilising it, a deeper understanding allows for greater control over exposure, contrast, and colour balance.

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Bloody Foreland is located on the northwest coast of Donegal. The headland is known for its granite cliffs and the way they light up with colour at sunset, hence the name. What’s less well-known is a natural sea arch tucked beneath the cliffs. It’s partially submerged during high tide, but even then, the power of the Atlantic and the structure’s form make for strong images.

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For my final week, the journey came full circle, but not without one last set of challenges. I faced crowded city streets in Kilkenny, the haunting mystique of Loftus Hall in Wexford, and a long, winding road to a hidden tower in Waterford. As I approached the grand finale in Tipperary, I had to contend with the bittersweet reality of my home county's recent hurling defeat. This was a week of reflection, endurance, and unexpected joy, where every goal, coffee, and photograph became a victory in a journey that proved to be about far more than just the destinations.

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Persistence will be key now. This last stretch is always the toughest, and when I feel like slowing down, I’ll remember how good it felt to push through and finish the job on tougher days earlier in the trip. I’ll also keep making the effort to connect with people along the way — those conversations have been a big source of motivation, and I know they’ll help carry me over the finish line

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The most profound lesson, however, came from the restorative power of human connection. The kindness of strangers—whether they were offering coffee, charging my power banks, or giving me access to a private GAA pitch—made a huge impact. These interactions reminded me that a trip is more than just a list of places to see; it's a collection of shared moments with people who enrich the experience far more than any scenic view or perfect photo.

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My story isn’t just about the places I visited, but about the determination to overcome obstacles and the invaluable moments shared with people, which ultimately made this trip so much more than a simple travel Vlog.

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After seven days on the road, I’ve gathered a variety of images, experiences, and connections that illustrate both the challenges and rewards of this project. The diverse weather and locations have tested my adaptability as a photographer, while the people I’ve met and the physical activity I’ve maintained have kept the journey grounded. This combination of factors highlights the balance between creativity, endurance, and purpose that defines this work. Below is a summary of my first seven days of this project.

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“32 Counties | 32 Shots | One Mission” is the biggest challenge I’ve ever set myself. I’m a professional landscape photographer and YouTuber, and I’m travelling across Ireland to photograph all 32 counties in one continuous journey—completely solo. In each county, I’ll take one meaningful photograph, visit a local independent coffee shop, score a goal at a GAA pitch, and hike at least one kilometre. I’ll be filming and editing on the road, releasing one video every day throughout the trip. It’s all in support of Pieta House and their Darkness Into Light campaign, and for every person who subscribes to my YouTube channel during the project, I’ll personally donate 1 cent to the cause.

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For many, including me, when I think of landscape photography I think of the wide open vistas, however for many others the telephoto lens has quickly become their go to lens, and for good reason. It allows you to capture shots unlike any that are possible wit your wide lens, plus it can help you reveal far more in the landscape than a wide angle lens can. the key however is not only having one, it is bringing it out and knowing how to use it.

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Welcome to Behind the RAW, where I provide an in-depth exploration of landscape photography editing. In this series, I offer a transparent view of my editing process, sharing insights into the methods and techniques I employ to enhance raw images. Join me as I dissect recent captures, providing a detailed walkthrough of each step from start to finish.

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It’s been five years since I last photographed Downpatrick Head, a prominent feature of Ireland’s rugged west coast. Located in County Mayo, this spot is known for its dramatic sea stack, Dun Briste, which stands isolated from the cliffs—layered with strata showing millions of years of geological activity. A location like this draws photographers back time and time again—not just for the images, but for the experience.

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Landscape photography is often misled by a pervasive myth: that "perfect conditions" are a must for capturing great images. This belief has caused many photographers to wait for ideal weather or chase forecasts for the best light, missing out on incredible opportunities in the process. However, experienced photographers know that the best images can be captured under any conditions, and waiting for perfection can hold back both creativity and growth.

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Welcome to Behind the RAW, where I provide an in-depth exploration of landscape photography editing. In this series, I offer a transparent view of my editing process, sharing insights into the methods and techniques I employ to enhance raw images. Join me as I dissect recent captures, providing a detailed walkthrough of each step from start to finish.

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